Pynchon Quotations
- At October 03, 2021
- By Spermatikos Logos
- In Pynchon, The Modern Word
- 0
“…truffles of truth created, as ancients surmised, during storm, in the instant of lightning blast…”
Below are some selected quotations from the works of Thomas Pynchon. If anyone has any quotes they would like to add, please send them along! And for those playing along at home: the page numbers to Gravity’s Rainbow are from the 1973 Viking edition, and are marked by a “V” preceding the page number. The 1987 Penguin edition is identical; but the 1974 Bantam edition uses a different pagination. The page numbers for Mason & Dixon are from the Holt hardcover.
V.
Perhaps history this century, thought Eigenvalue, is rippled with gathers in its fabric such that if we are situated, as Stencil seemed to be, at the bottom of a fold, it’s impossible to determine warp, woof, or pattern anywhere else. By virtue, however, of existing in one gather it is assumed there are others, compartmented off into sinuous cycles each of which had come to assume greater importance than the weave itself and destroy any continuity. Thus it is that we are charmed by the funny-looking automobiles of the ‘30’s, the curious fashions of the ‘20’s, the particular moral habits of our grandpaernts. We produce and attend musical comedies about them and are conned into a false memory, a phony nostalgia about what they were. We are accordingly lost to any sense of continuous tradition. Perhaps if we lived on a crest, things would be different. We could at least see.
—V., Chapter Seven, Part I
He had decided long ago that no Situation had any objective reality: it only existed in the minds of those who happened to be in on it at any specific moment. Since these several minds tended to form a sum total or complex more mongrel than homogeneous, The Situation must necessarily appear to a single observer much like a diagram in four dimensions to an eye conditioned to seeing the world in only three. Hense the success of failure of any diplomatic issue must vary directly with the degree of rapport achieved by the team confronting it. This had led to the near obsession with teamwork which had inspired his colleagues to dub him Soft-show Sydney, on the assumption that he was at his best working in front of a chorus line.
But it was a neat theory, and he was in love with it. The only consolation he drew from the present chaos was that his theory managed to explain it.
But it was a neat theory, and he was in love with it. The only consolation he drew from the present chaos was that his theory managed to explain it.
—V., Chapter Seven, Part VII
In the eighteenth century it was often convenient to regard man as a clockwork automaton. In the nineteenth century, with Newtonian physics pretty well assimilated and a lot of work in thermodynamics going on, man was looked on as a heat engine, about 40 per cent efficient. Now in the twentieth century, with nuclear and subatomic physics a going thing, man had become something which absorbs X-rays, gamma rays and neutrons.
—V., Chapter Ten, Part II
Right and left; the hothouse and the street. The Right can only live and work hermetically, in the hothouse of the past, while outside the Left prosecute their affairs in the streets manipulated by mob violence. And cannot live but in the dreamscape of the future.
—V.
The Crying of Lot 49
A number of frail girls . . . prisoners in the top room of a circular tower, embroidering a kind of tapestry which spilled out the slit windows and into a void, seeking hopelessly to fill the void: for all the other buildings and creatures, all the waves, ships and forests of the earth were contained in this tapestry, and the tapestry was the world.
—The Crying of Lot 49, Chapter 1
Having no apparatus except gut fear and female cunning to examine this formless magic, to understand how it works, how to measure its field strength, count its lines of force, she may fall back on superstition, or take up a useful hobby like embroidery, or go mad, or marry a disc jockey. If the tower is everywhere and the knight of deliverance no proof against its magic, what else?
—The Crying of Lot 49, Chapter 1
“You one of those right wing nut outfits?” inquired the diplomatic Metzger.
Fallopian twinkled. “They accuse us of being paranoids.”
“They?” inquired Metzger, twinkling also.
“Us?” asked Oedipa.
—The Crying of Lot 49, Chapter 3
The reality is in this head. Mine. I’m the projector at the planetarium, all the closed little universe visible in the circle of that stage is coming out of my mouth, eyes, and sometimes other orifices also.
—The Crying of Lot 49, Chapter 3
Gravity’s Rainbow
Now there grows among all the rooms, replacing the night’s old smoke, alcohol and sweat, the fragile, musaceous odor of Breakfast: flowery, permeating, surprising, more than the color of winter sunlight, taking over not so much through any brute pungency or volume as by the high intricacy to the weaving of its molecules, sharing the conjuror’s secret by which—though it is not often that Death is told so clearly to fuck off—the living genetic chains prove even labyrinthine enough to preserve some human face down twenty generations . . . so the same assertion-through-structure allows this war morning’s banana fragrance to meander, repossess, prevail.
—Gravity’s Rainbow, V10
There’s never much talk but touches and looks, smiles together, curses for parting. It is marginal, hungry, chilly—most times they’re too paranoid to risk a fire—but it’s something they want to keep, so much that to keep it they will take on more than propaganda has ever asked them for. They are in love. Fuck the war.
—Gravity’s Rainbow, V42
Don’t forget the real business of war is buying and selling. The murdering and violence are self-policing, and can be entrusted to non-professionals. The mass nature of wartime death is useful in many ways. It serves as spectacle, as diversion from the real movements of the War. It provides raw material to be recorded into History, so that children may be taught History as sequences of violence, battle after battle, and be more prepared for the adult world. Best of all, mass death’s a stimulus to just ordinary folks, little fellows, to try ‘n’ grab a piece of that Pie while they’re still here to gobble it up. The true war is a celebration of markets. Organic markets, carefully styled “black” by the professionals, spring up everywhere. Scrip, Sterling, Reichsmarks continue to move, severe as classical ballet, inside their antiseptic chambers. But out here, down here among the people, the truer currencies come into being. So, Jews are negotiable. Every bit as negotiable as cigarettes, cunt, or Hershey bars. Jews also carry an element of guilt, of future blackmail, which operates, natch, in favor of the professionals.
—Gravity’s Rainbow, V105
It’s been a prevalent notion. Fallen sparks. Fragments of vessels broken at the Creation. And someday, somehow, before the end, a gathering back to home. A messenger from the Kingdom, arriving at the last moment. But I tell you there is no such message, no such home—only the millions of last moments…nothing more. Our history is an aggregate of last moments.
—Gravity’s Rainbow, V148
She has turned her face, more than once, to the Outer Radiance and simply seen nothing there. And so each time taken a little more of the Zero into herself. It comes down to courage, at worst an amount of self-deluding that’s vanishingly small: he has to admire it, even if he can’t accept her glassy wastes, her appeals to a day not of wrath but of final indifference…
—Gravity’s Rainbow, V150
But it is a curve each of them feels, unmistakably. It is the parabola. They must have guessed, once or twice—guessed and refused to believe—that everything, always, collectively, had been moving toward that purified shape latent in the sky, that shape of no surprise, no second chance, no return. Yet they do move forever under it, reserved for its own black-and-white bad news certainly as if it were the rainbow, and they its children…
—Gravity’s Rainbow, V209
But out at the horizon, out near the burnished edge of the world, who are these visitors standing…these robed figures—perhaps, at this distance, hundreds of miles tall—their faces, serene, unattached, like the Buddha’s, bending over the sea, impassive, indeed, as the Angel that stood over Lübeck during the Palm Sunday raid, come that day neither to destroy nor to protect, but to bear witness to a game of seduction… What have the watchmen of the world’s edge come tonight to look for? Deepening on now, monumental beings stoical, on toward slag, toward ash the colour the night will stabilize at, tonight …what is there grandiose enough to witness?
—Gravity’s Rainbow, V214
He lies on top of her, sweating, taking great breaths, watching her face turned 3/4 away, not even a profile, but the terrible Face That is No Face, gone too abstract, unreachable: the notch of the eye socket, but never the labile eye, only the anonymous curve of cheek, convexity of mouth, a noseless mask of the Other Order of Being, of Katje’s being—the lifeless non-face that is the only face of hers he really knows, or will ever remember.
—Gravity’s Rainbow, V222
Proverbs for Paranoids:
1. You may never get to touch the Master, but you can tickle his creatures.
2. The innocence of the creatures is in inverse proportion to the immorality of the Master.
3. If they can get you asking the wrong questions, they don’t have to worry about answers.
4. You hide, they seek.
5. Paranoids are not paranoid because they’re paranoid, but because they keep putting themselves, fucking idiots, deliberately into paranoid situations.
—Collected from Gravity’s Rainbow, V237, 241, 251, 262, & 292
There was no difference between the behavior of a god and the operations of pure chance.
—Gravity’s Rainbow, V323
It’s a Rocket-raising: a festival new to this country. Soon it will come to the folk-attention how close Wernher von Braun’s birthday is to the Spring Equinox, and the same German impulse that once rolled flower-boats through the towns and staged mock battles between young Spring and deathwhite old Winter will be erecting strange floral towers out in the clearings and meadows, and the young scientist-surrogate will be going round and round with Gravity or some such buffoon, and the children will be tickled, and laugh…
—Gravity’s Rainbow, V361
Kekulé dreams the Great Serpent holding its own tail in its mouth, the dreaming Serpent which surrounds the World. But the meanness, the cynicism with which this dream is to be used. The Serpent that announces, “The World is a closed thing, cyclical, resonant, eternally-returning,” is to be delivered into a system whose only aim is to violate the Cycle. Taking and not giving back, demanding that “productivity” and “earnings” keep on increasing with time, the System removing from the rest of the World these vast quantities of energy to keep its own tiny desperate fraction showing a profit: and not only most of humanity—most of the World, animal, vegetable, and mineral, is laid waste in the process. The System may or may not understand that it’s only buying time. And that time is an artificial resource to being with, of no value to anyone or anything but the System, which must sooner or later crash to its death, when its addiction to energy has become more than the rest of the World can supply, dragging with it innocent souls all along the chain of life.
—Gravity’s Rainbow, V412
“Who has sent this new serpent into our ruinous garden, already too fouled, too crowded to qualify as any locus of innocence—unless innocence be our age’s neutral, our silent passing into the machineries of indifference—something that Kekulé’s Serpent had come to—not to destroy, but to define to us the loss of…we had been given certain molecules, certain combinations and not others…we used what we found in Nature, unquestioning, shamefully perhaps—but the Serpent whispered, ‘They can be changed, and new molecules assembled from the debris of the given…’ Can anyone tell me what else he whispered to us? Come—who knows?”
—Gravity’s Rainbow, V413
“Personal density,” Kurt Mondaugen in his Peenemünde office not too many steps away from here, enunciating the Law which will one day bear his name, “is directly proportional to temporal bandwidth.”
“Temporal bandwidth,” is the width of your present, your now. It is the familiar “[delta-] t” considered as a dependent variable. The more you dwell in the past and in the future, the thicker your bandwidth, the more solid your persona. But the narrower your sense of Now, the more tenuous you are.
—Gravity’s Rainbow, V509
She watches Marvy’s face as he pays Monika, watches him in this primal American act, paying, more deeply himself than when coming, or asleep, or maybe even dying.
—Gravity’s Rainbow, V605
Those must have all been important to me once. What I am now grew from that. A former self is a fool, an insufferable ass, but he’s still human, you’d no more turn him out than you’d turn out any kind of cripple, would you?
—Gravity’s Rainbow, V660
It’s a giant factory-state here, a City of the Future full of extrapolated 1930’s swoop-facaded and balconied skyscrapers, lean chrome caryatids with bobbed hairdos, classy airships of all descriptions drifting in the boom and hush of the city abysses, golden lovelies sunning in roof gardens and turning to wave as you pass. It is the Raketen-Stadt.
—Gravity’s Rainbow, V674
…it can get pretty fascist in here…
—Gravity’s Rainbow, V677
M-maybe there is a Machine to take us away, take us completely, suck us through the electrodes out of the skull ‘n’ into the Machine and live there forever with all the other souls it’s got stored there. It could decide who it would suck out, a-and when. Dope never gave you immoratality. You hadda come back, every time, into a dying hunk of smelly meat! But We can live forever, in a clean, honest, purified, Electroworld—
—Gravity’s Rainbow, V699
What are the stars but points in the body of God where we insert the healing needles of our terror and longing?
—Gravity’s Rainbow, V699
“I want to break out—to leave this cycle of infection and death. I want to be taken in love: so taken that you and I, and death, and life, will be gathered inseparable, into the radiance of what we would become…”
—Gravity’s Rainbow, V724
Each will have his personal Rocket.
—Gravity’s Rainbow, V727
Vineland
Zoyd Wheeler drifted awake in sunlight through a creeping fig that hung in the window, with a squadron of blue jays stomping around on the roof. In his dream these had been carrier pigeons from someplace far across the ocean, landing and taking off again one by one, each one bearing a message for him, but none of whom, light pulsing in their wings, he could ever quite get to in time. He understood it to be another deep nudge from forces unseen.
—Vineland
Downtown, in the Greyhound station, Zoyd put Prairie on top of a pinball machine with a psychedelic motif, called Hip Trip, and was able to keep winning free games till the Vineland bus got in from L.A. This baby was a great fan of the game, liked to lie face down on the glass, kick her feet, and squeal at the full sensuous effect, especially when bumbers got into prolonged cycling or when her father got manic with the flippers, plus the gongs and lights and colors always going off. “Enjoy it while you can,” he muttered at his innocent child, “while you’re light enough for that glass to hold you.”
—Vineland
…but at the distance she, Flash, and Justin had now been brought to, it would all be done with keys on alphanumeric keyboards that stood for weightless, invisible chains of electronic presence or absence. If patterns of ones and zeroes were “like” patterns of human lives and deaths, if everything about an individual could be represented in a computer record by a long strings of ones and zeroes, then what kind of creature could be represented by a long string of lives and deaths? It would have to be up one level, at least—an angel, a minor god, something in a UFO. It would take eight human lives and deaths just to form one character in this being’s name—its complete dossier might take up a considerable piece of history of the world. We are digits in God’s computer, she not so much thought as hummed to herself to sort of a standard gospel tune, And the only thing we’re good for, to be dead or to be living, is the only thing He sees. What we cry, what we contend for, in our world of toil and blood, it all lies beneath the notice of the hacker we call God.
—Vineland
Though everyone in town was safe, the beaches were gone…all covered by the cool green Flood, which almost paralyzed her with its beauty, its clarity…for “days” she could watch nothing else, while all around her the town adjusted to its new shoreline and life went on. Late at “night” she went out on her deck and stood just above the surf, looking toward a horizon she couldn’t see, as if into a wind that might really be her own passage, destination unknown, and heard a voice, singing across the Flood, this wonderful song, the kind you heard stoned over at some stranger’s place one night and never found again, telling of the divers, who would come, not now but soon, and descend into the Flood and bring back up for us “whatever has been taken,” the voice promised, “whatever has been lost.”
—Vineland
Mason & Dixon
“Mother says you’re the Family outcast,” Pitt remarks.
“The pay you money to keep you away,” says Pliny…
“What they nail you on?” Uncle Ives wants to know…
“Along with some lesser Counts,” the Revd is replying, “‘twas one of the least tolerable of Offenses in that era, the worst of Dick Turpin seeming but the carelessness of Youth beside it,—the Crime they styl’d ‘Anonymity.’…”
—Mason & Dixon, Chapter 1, pg. 9
Does Britannia, when it sleeps, dream? Is America her dream?—in which all that cannot pass in the metropolitan Wakefulness is allow’d Expression away in the restless Slumber of these Provinces, and on West-ward, wherever ‘tis not yet mapp’d, nor written down, nor ever, by the majority of mankind, seen,—serving as a very Rubbish-Tip for subjunctive Hopes, for all that may yet be true,—Earthly Paradise, Fountain of Youth, Realms of Prester John, Christ’s Kingdom, ever behind the sunset, safe till the next Territory to the West be seen and recorded, measur’d and tied back in, back to the Net-Work of Points already known, that slowly triangulates its Way into the Continent, changing all from subjunctive to declarative, reducing Possibilities to Simplicities that serve the ends of Governments,— winning away from the realm of the Sacred, its Borderlands one by one, and assuming them unto the bare mortal World that is our home, and our Despair.
—Mason & Dixon, Chapter 34, pg. 345
Facts are but the Play-things of lawyers,—Tops and Hoops, forever a-spin… Alas, the Historian may indulge no such idle Rotating. History is not Chronology, for that is left to lawyers,—nor is Remembrance, for Remembrance belongs to the People. History can as little pretend to the Veracity of the one, as claim the Power of the other,—her Practitioners, to survive, must soon learn the arts of the quidnunc, spy and Taproom Wit,—that there may ever continue more than one life-line back into a Past we risk, each day, losing our forbears in forever,—not a Chain of single Links, for one broken Link could lose us All,—rather, a great disorderly Tangle of Lines, long and short, weak and strong, vanishing into the Mnemonick Deep, with only their Destination in common.
—Mason & Dixon, Chapter 35, pg. 349
Who claims Truth, Truth abandons. History is hir’d, or coerc’d, only in Interests that must ever prove base. She is too innocent, to be left within the reach of anyone in Power,—who need but touch her, and all her Credit is in the instant vanish’d, as if it had never been. She needs rather to be tended lovingly and honorably by fabulists and counterfeiters, Ballad-Mongers and Cranks of ev’ry Radius, Masters of Disguise to provide her the Costume, Toilette, and Bearing, and Speech nimble enough to keep her beyond the Desires, or even the Curiosity, of Government.
—Mason & Dixon, Chapter 35, pg. 350
“I am told of certain Stars, in the Chinese system of Astrology, which are invisible so long as they keep moving, only being seen when they pause. Might thy Golem also share this property?”
The Company rushed to enlighten Dixon. “‘Tis shar’d with this whole accursèd Continent,” the quarrelsome Carrot-top lets him know, waving his Rifle and narrowly missing several Tankards upon the Table.
“—Which, as if in answer to God’s recession, remain’d invisible, denied to us, till it became necessary to our Souls that it come to rest, self-reveal’d, tho’ we pretend to ‘discover’ it…”
“By the time of Columbus, God’s project of Disengagement was obvious to all,—with the terrible understanding that we were to be left more and more to our own solutions.”
“America, withal, for centuries had been kept hidden, as are certain Bodies of Knowledge. Only now and then were selected persons allow’d glimpses of the New World,—”
“Never Reporters that anyone else was likely to believe,—men who ate the Flesh and fornicated with the Ghosts of their Dead, murderers and Pirates on the run, monks in parchment Coracles stitched together from copied Pages of the Book of Jonah, fishermen too many Nights out of Port, any Runagate craz’d enough to sail West.”
“All matters of what becomes Visible, and when. Revelation exists as a Fact,—and continues, as Time proceeds. If new Continents may become visible, why not Planets, sir…”
—Mason & Dixon, Chapter 50, pg. 486-7
All the way back to the Visto, Mason is seiz’d by Monology. “Text,—” he cries, and more than once, “it is Text,—and we are its readers, and its Pages are the Days turning. Unscrolling, as a Pilgrim’s Itinery map in ancient Days…”
—Mason & Dixon, Chapter 51, pg. 497-98
“To rule forever,” continues the Chinaman, later, “it is necessary only to create, among the people one would rule, what we call…Bad History. Nothing will produce Bad History more directly nor brutally, than drawing a Line, in particular a Right Line, the very Shape of Contempt, through the midst of a People,—to create thus a Distinction betwixt ‘em,—‘tis the first stroke.—All else will follow as if predestin’d, unto War and Devastation.”
—Mason & Dixon, Chapter 62, pg. 615
As all History must converge to Opera in the Italian Style, however, their Tale as Commemorated might have to proceed a bit more hopefully.
—Mason & Dixon, Chapter 73, pg. 706
“I had my Boswell, once,” Mason tells Boswell, “Dixon and I. We had a joint Boswell. Preacher nam’d Cherrycoke. Scribbling ev’rything down, just like you, Sir. Have you,” twiring his hand in Ellipses,— “you know, ever…had one yourself? If I’m not prying.”
“Had one what?”
“Hum…a Boswell, Sir,—I mean, of your own. Well you couldn’t very well call him that, being one yourself,—say, a sort of Shadow ever in the Room who has haunted you, preserving your ev’ry spoken remark,—”
“Which else would have been lost forever to the great Wind of Oblivion,—think,” armsweep south, “as all civiliz’d Britain gathers at this hour, how much shapely Expression, from the titl’d Gambler, the Barmaid’s Suitor, the offended Fopling, the gratified Toss-Pot, is simply fading away upon the Air, out under the Door, into the Evening and the Silence beyond. All those voices. Why not pluck a few words from the multitudes rushing toward the Void of forgetfulness?”
—Mason & Dixon, Chapter 76, pg. 747
Against the Day
The Chums of Chance could have been granted no more appropriate form of “ground-leave” than the Chicago Fair, as the great national celebration possessed the exact degree of fictitiousness to permit the boys access and agency.
—Against the Day
Being born into this don’t automatically make you innocent. But when you reach a point in your life when you understand who is fucking who—beg pardon, Lord—who’s taking it and who’s not, that’s when you’re obliged to choose how much you’ll go along with. If you are not devoting every breath of every day waking and sleeping to destroying those who slaughter innocent as easy as signing a check, then how innocent are you willing to call yourself? It must be negotiated with the day in those absolute terms.
—Against the Day
They would make a practice from there on of not letting their eyes meet, which as things turned out was never to happen again, not here on the desolate lee shore whose back country is death.
—Against the Day
Out of that night and day of unconditional wrath, folks would’ve expected to see any city, if it survived, all newly reborn, purified by flame, taken clear beyond greed, real-estate speculating, local politics—instead of which, here was this weeping widow, some one-woman grievance committee in black, who would go on and save up and lovingly record and mercilessly begrudge every goddamn single tear she ever had to cry, and over the years to come would make up for them all by developing into the meanest, cruelest bitch of a city, even among cities not notable for their kindness.
To all appearance resolute, adventurous, manly, the city would not shake that terrible all-night rape, when “he” was forced to submit, surrendering, inadmissibly, blindly feminine, into the Hellfire embrace of “her” beloved. He spent the years afterward forgetting and fabulating and trying to get back some self-respect. But inwardly, deep inside, “he” remained the catamite of Hell, the punk at the disposal of all the denizens thereof, the bitch in men’s clothing.
—Against the Day
There are stories, like maps that agree… too consistent among too many languages and histories to be only wishful thinking… It is always a hidden place, the way into it is not obvious, the geography is as much spiritual as physical. If you should happen upon it, your strongest certainty is not that you have discovered it but returned to it. In a single great episode of light, you remember everything.
—Against the Day
Lew, in the grandstand, was far enough away to se the box begin to explode a split-second before he heard the blast, time enough to think maybe nothing would happen after all, and then the front of the compression wave hit. It was the end of something—if not his innocence, at least of his faith that things would always happen gradually enough to afford the time to do something about in.
—Against the Day
Time is never wasted. Lew, if you remember to bring along something to read.
—Against the Day
Women could protest from now till piss flowed uphill, but the truth was, there wasn’t one didn’t secretly love a killer.
—Against the Day
In classes, Gibbs, before working through a problem, had been fond of saying, “We shall pretend to know nothing about this solution from Nature.” Generations of students, Kit among them, had taken this to heart, in all its metaphysical promise.
—Against the Day
…escaping into the freedom of bloodletting unrestrained, the dark promise revealed to Americans during the Civil War, obeying since then its own terrible inertia…
—Against the Day
…but none of it hung together, the details were like cards tossed on the table of the day that upon inspection could not be arranged into a playable hand.
—Against the Day
…and isn’t it the curse of the drifter, the desolation of heart we feel each evening at sundown, with the slow loop of the river out there just for a half a minute, catching the last light, pregnant with the city in all its density and wonder, the possibilities never to be counted, much less lived into, by the likes of us, don’t you see, for we’re only passing through, we’re already ghosts…
—Against the Day
Everywhere one finds a spectrum of need, from bludgeons and machetes to submarines and poison gases—trains of history not fully run, Chinese tongs, Balkan komitadji, African vigilantes, each with its attendant population of widows-to-be, often in geographies barely sketched in pencil on the back of some envelope or waybill. One glance at any government budget anywhere in the world tells the story—the money is always in place, already allocated, the motive everywhere is fear, the more immediate the fear, the higher the multiples.
—Against the Day
She wondered sometimes what he would have made of American light. She had sat adrift in insomnia for hours watching fields of windows lit and lampless, vulnerable flames and filaments by the thousands borne billowing as by waves of the sea, the broken rolling surfaces of the great cities, allowing herself to imagine, almost surrendering to the impossibility of ever belonging, since childhood when she’d ridden with Merle past all those small, perfect towns, longed after the lights at creeksides and the lights defining the shapes of bridges over great rivers, through church windows or trees in summer, casting shining parabolas down pale brick walls or haloed in bugs, lanterns on farm rigs, candles at windowpanes, each attached to a life running before and continuing on, long after she and Merle and the wagon would have passed, and the mute land risen up once again to cancel the brief revelation, the offer never clearly stated, the hand never fully dealt…
—Against the Day
These English were a people of many mysteries, nine more peculiar than their indifference to coffee.
—Against the Day
My Pa always used to say, if it doesn’t work with gold, the next step will be lead.
—Against the Day
Fate does not speak. She carries a Mauser and from time to time indicates our proper path.
—Against the Day
It isn’t only the difficult terrain, the vipers and sandstorms and raiding parties. The journey itself is a kind of conscious Being, a living deity who does not wish to engage with the foolish or the weak, and hence will try to dissuade you. It insists on the furthest degree of respect
—Against the Day
There was just enough light from the fire to see the despair in Fleetwood’s face, despair like a corrupt form of hope, that here at last might be his great crisis—the unappeasable tribesmen, the unforeseen tempest, the solid terrain gone to quicksand, the beast stalking him for miles and years. Otherwise what life could he expect as one more murderer with his money in Rand shares, destined for golf courses, restaurants with horrible food and worse music, the aging faces of his kind?
—Against the Day
If there is an inevitability to arrival by water, he reflected, as we watch the possibilities on shore being progressively narrowed at last to the destined quay or slip, there is no doubt a mirror-symmetry about departure, a denial of inevitability, an opening out from the point of embarkation, beginning the moment all lines are singled up, an unloosening of fate as the unknown and perhaps the uncreated begins to make its appearance ahead and astern, port and starboard, everywhere an expanding of possibility, even for ship’s company who may’ve made this run hundreds of times…
—Against the Day
Social Darwinists of the day were forever on about the joys of bloody teeth and claws, but they were curiously uncelebratory of speed and deception, poison and surprise.
—Against the Day
They were already too close not to turn and slide into an embrace smooth as the solution to a puzzle.
—Against the Day
“We will buy it all up,” making the expected arm gesture, “all this country. Money speaks, the land listens, where the Anarchist skulked, where the horse-thief plied his trade, we fishers of Americans will cast our nets of perfect ten-acre mesh, leveled and varmint-proofed, ready to build on. Where alien muckers and jackers went creeping after their miserable communistic dreams, the good lowland townsfolk will come up by the netful into these hills, clean, industrious, Christian, while we, gazing out over their little vacation bungalows, will dwell in top-dollar palazzos befitting our station, which their mortgage money will be paying to build for us. When the scars of these battles have long faded, and the tailings are covered in bunchgrass and wildflowers, and the coming of the snows is no longer the year’s curse but its promise, awaited eagerly for its influx of moneyed seekers after wintertime recreation, when the shining strands of telpherage have subdued every mountainside, and all is festival and wholesome sport and eugenically-chosen stock, who will be left anymore to remember the jabbering Union scum, the frozen corpses whose names, false in any case, have gone forever unrecorded? who will care that once men fought as if an eight-hour day, a few coins more at the end of the week, were everything, were worth the merciless wind beneath the shabby roof, the tears freezing on a woman’s face worn to dark Indian stupor before its time, the whining of children whose maws were never satisfied, whose future, those who survived, was always to toil for us, to fetch and feed and nurse, to ride the far fences of our properties, to stand watch between us and those who would intrude or question?” He might usefully have taken a look at Foley, attentive back in the shadows. But Scarsdale did not seek out the eyes of his old faithful sidekick. He seldom did anymore. “Anarchism will pass, its race will degenerate into silence, but money will beget money, grow like the bluebells in the meadow, spread and brighten and gather force, and bring low all before it. It is simple. It is inevitable. It has begun.”
—Against the Day
Inherent Vice
What, I should only trust good people? Man, good people get bought and sold every day. Might as well trust somebody evil once in a while, it makes no more or less sense.
―Inherent Vice
It was as if whatever had happened had reached some kind of limit. It was like finding the gateway to the past unguarded, unforbidden because it didn’t have to be. Built into the act of return finally was this glittering mosaic of doubt. Something like what Sauncho’s colleagues in marine insurance liked to call inherent vice.
―Inherent Vice
Doc Knew these people, he’d seen enough of them in the course of business. They went out to collect cash debts, they broke rib cages, they got people fired, they kept an unforgiving eye on anything that might become a threat. If everything in this dream of prerevolution was in fact doomed to end and the faithless money-driven world to reassert its control over all the lives it felt entitled to touch, fondle, and molest, it would be agents like these, dutiful and silent, out doing the shitwork, who’d make it happen.
Was it possible, that at every gathering—concert, peace rally, love-in, be-in, and freak-in, here, up north, back east, wherever—those dark crews had been busy all along, reclaiming the music, the resistance to power, the sexual desire from epic to everyday, all they could sweep up, for the ancient forces of greed and fear?
Was it possible, that at every gathering—concert, peace rally, love-in, be-in, and freak-in, here, up north, back east, wherever—those dark crews had been busy all along, reclaiming the music, the resistance to power, the sexual desire from epic to everyday, all they could sweep up, for the ancient forces of greed and fear?
―Inherent Vice
Odd, yes, here in the capital of eternal youth, endless summer and all, that fear should be running the town again as in days of old, like the Hollywood blacklist you don’t remember and the Watts rioting you do—it spreads, like blood in a swimming pool, till it occupies all the volume of the day. And then maybe some playful soul shows up with a bucketful of piranhas, dumps them in the pool, and right away they can taste the blood. They swim around looking for what’s bleeding, but they don’t find anything, all of them getting more and more crazy, till the craziness reaches a point. Which is when they begin to feed on each other.
―Inherent Vice
…yet there is no avoiding time, the sea of time, the sea of memory and forgetfulness, the years of promise, gone and unrecoverable, of the land almost allowed to claim its better destiny, only to the claim jumped by evildoers known all too well, and taken instead and held hostage to the future we must live in now forever.
―Inherent Vice
Bleeding Edge
It seemed to him obvious that the human life span runs through the varieties of mental disorder as understood in his day—the solipsism of infancy, the sexual hysterias of adolescence and entry-level adulthood, the paranoia of middle age, the demential of late life…all working up to death, which at last turns out to be “sanity.”
—Bleeding Edge, Chapter 1
…plus creation of a curriculum in which each grade level would be regarded as a different kind of mental condition and managed accordingly.
—Bleeding Edge, Chapter 1
I haven’t sold my soul yet—well, maybe a couple bars of rhythm and blues here and there.
—Bleeding Edge, Chapter 2
If there can be haunted houses, there can also be karmically challenged apartment buildings…
—Bleeding Edge, Chapter 3
Culture attracts the worst impulses of the moneyed, it has no honor, it begs to be suburbanized and corrupted.
—Bleeding Edge, Chapter 6
Everybody is supposed to love Montauk for avoiding everything that’s wrong with the Hamptons.
—Bleeding Edge, Chapter 17
“You two were romantically involved?”
“Not romantically. Baroquely maybe. Years ago.”
—Bleeding Edge, Chapter 19
“It’s still unmessed-with country. You like to think it goes on forever, but the colonisers are coming. The suits and tenderfeet. You can hear the blue-eyed-soul music over the ridgeline. There’s already a half dozen well-funded projects for designing software to crawl the Deep Web—”
“Is that,” Maxine wonders, “like, ‘Ride the Wild Surf’?”
“Except summer will end all too soon, once they get down here, everything’ll be suburbanised faster than you can say ‘late capitalism.’ Then it’ll be just like up there in the shallows. Link by link, they’ll bring it all under control, safe and respectable. Churches on every corner. Licenses in all the saloons. Anybody still wants his freedom’ll have to saddle up and head somewhere else.”
“Is that,” Maxine wonders, “like, ‘Ride the Wild Surf’?”
“Except summer will end all too soon, once they get down here, everything’ll be suburbanised faster than you can say ‘late capitalism.’ Then it’ll be just like up there in the shallows. Link by link, they’ll bring it all under control, safe and respectable. Churches on every corner. Licenses in all the saloons. Anybody still wants his freedom’ll have to saddle up and head somewhere else.”
—Bleeding Edge, Chapter 22
Time travel, as it turns out, is not for civilian tourists, you don’t just climb into a machine, you have to do it from the inside out, with your mind and body, and navigating Time is an unforgiving discipline. It requires years of pain, hard labor, and loss, and there is no redemption—of, or from, anything.
—Bleeding Edge, Chapter 22
While not actually drooling or packing any real-life weapons that Ziggy or Otis can see, they still radiate this aura of blank menace with which the Midwest so often fails to endear itself.
—Bleeding Edge, Chapter 27
Former and future nerdistocracy slowly, and to look at them you’d think reluctantly, filtering back out into the street, into the long September which has been with them in a virtual way since spring before last, continuing only to deepen. Putting their street faces back on for it. Faces already under silent assault, as if by something ahead, some Y2K of the workweek that no one is quite imagining, the crowds drifting slowly out into the little legendary streets, the highs beginning to dissipate, out into the casting-off of veils before the luminosities of dawn, a sea of T-shirts nobody’s reading, a clamor of messages nobody’s getting, as if it’s the true text history of nights in the Alley, outcries to be attended to and not be lost, the 3:00 am kozmo deliveries to code sessions and all-night shredding parties, the bedfellows who came and went, the bands in the clubs, the songs whose hooks still wait to ambush an idle hour, the day jobs with meetings about meetings and bosses without clue, the unreal strings of zeros, the business models changing one minute to the next, the start-up parties every night of the week and more on Thursdays than you could keep track of, which of these faces so claimed by the time, the epoch whose end they’ve been celebrating all night—which of them can see ahead, among the microclimates of binary, tracking earthwide everywhere through dark fiber and twisted pairs and nowadays wirelessly through spaces public and private, anywhere among cybersweatshop needles flashing and never still, in that unquiet vastly stitched and unstitched tapestry they have all at some time sat growing crippled in the service of—to the shape of the day imminent, a procedure waiting execution, about to be revealed, a search result with no instructions on how to look for it?
—Bleeding Edge, Chapter 28
They gaze at each other for a while, down here on the barroom floor of history, feeling sucker-punched, no clear way to get up and on with a day which is suddenly full of holes—family, friends, friends of friends, phone numbers on the Rolodex, just not there anymore…the bleak feeling, some mornings, that the country itself may not be there anymore, but being silently replaced screen by screen with something else, some surprise package, by those who’ve kept their wits about them and their clicking thumbs ready.
—Bleeding Edge, Chapter 21
“Oh I blame the fuckin Internet. No question.”
—Bleeding Edge, Chapter 34
…one of those first-person-shooter towns that you can drive around in seemingly forever, but never get away from.
—Bleeding Edge, Chapter 37
Yep, and your Internet was their invention, this magical convenience that creeps now like a smell through the smallest details of our lives, the shopping, the housework, the homework, the taxes, absorbing our energy, eating up our precious time. And there’s no innocence. Anywhere. Never was. It was conceived in sin, the worst possible. As it kept growing, it never stopped carrying in its heart a bitter-cold death wish for the planet, and don’t think anything has changed, kid. […] Call it freedom, it’s based on control. Everybody connected together, impossible anybody should get lost, ever again. Take the next step, connect it to these cell phones, you’ve got a total Web of surveillance, inescapable. You remember the comics in the Daily News? Dick Tracy’s wrist radio? it’ll be everywhere, the rubes’ll all be begging to wear one, handcuffs of the future. Terrific. What they dream about at the Pentagon, worldwide martial law.
—Bleeding Edge, Chapter 37
It might be useful, she reminds herself, not to panic here. She imagines herself solidifying into not exactly a pillar of salt, something between that and a commemorative statue, iron and gaunt, of all the women in New York who used to annoy her standing by the curbsides “hailing a taxi,” though no taxis might be visible for ten miles in any direction—nevertheless holding their hand out toward the empty street and the oncoming traffic that isn’t there, not beseechingly but in a strangely entitled way, a secret gesture that will trigger an all-cabbie alert, “Bitch standing at corner with hand up in air! Go! Go!” Yet here, turning into some version of herself she doesn’t recognize, without deliberation she watches her own hand drift out into the wind off the river, and tries from the absence of hope, the failure of redemption, to summon a magical escape. Maybe what she saw in those women wasn’t entitlement, maybe all it is really is an act of faith. Which in New York even stepping out onto the street is, technically.
—Bleeding Edge, Chapter 37
…all in the quaint belief that change will always be gradual enough to manage, with insurance, with safety equipment, with healthy diets and regular exercise, and that evil never comes roaring out of the sky to explode into anyone’s towering delusions about being exempt…
—Bleeding Edge, Chapter 38
Look at it, every day more lusers than users, keyboards and screens turning into nothin but portals to Web sites for what Management wants everybody addicted to, shopping games, jerking off, streaming endless garbage—
—Bleeding Edge, Chapter 38
Sometimes, down in the subway, a train Maxine’s riding on will slowly be overtaken by a local or an express on the other track, and in the darkness of the tunnel, as the windows of the other train move slowly past, the lighted panels appear one by one, like a series of fortune-telling cards being dealt and slid in front of her. The Scholar, The Unhoused, The Warrior Thief, The Haunted Woman… After a while Maxine has come to understand that the faces framed in these panels are precisely those out of all the city millions she must in the hour be paying most attention to, in particular those whose eyes actually meet her own—they are the day’s messengers from whatever the Beyond has for a Third World, where the days are assembled one by one under nonunion conditions.
—Bleeding Edge, Chapter 39
The woman’s smile, in this bright noisy flow of city indifference, comes like a beer on the house in a bar where nobody knows you.
—Bleeding Edge, Chapter 39
Compiled By: Allen Ruch & Dr. Larry Daw
Last Modified: 30 January 2022
Main Pynchon Page: Spermatikos Logos
Contact: quail(at)shipwrecklibrary(dot)com
Last Modified: 30 January 2022
Main Pynchon Page: Spermatikos Logos
Contact: quail(at)shipwrecklibrary(dot)com